Jirón

Seduced and Abandoned

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Evil Influencer: The Jodi Hildebrandt Story

Unravel the case of Utah therapist Jodi Hildebrandt, whose child abuse arrest with parenting YouTuber Ruby Franke exposed a twisted tale of manipulation.

The Curious Birth of Benjamin Button

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

More Brains! A Return to the Living Dead

Retrospective documentary about the making of the horror cult classic "The Return of the Living Dead."

Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Being James Bond

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

Birth of the Living Dead

A behind the scenes look into George Romero's groundbreaking horror classic Night of the Living Dead.

Louis Theroux: Twilight of the Porn Stars

In 1997, Louis Theroux made a documentary about the world of male porn performers in Los Angeles. 15 years later, he returns to find a business struggling with the deluge of free porn on the internet. Louis revisits some of the original programme's contributors as well as meeting the latest crop of porn performers dreaming of porn stardom.

180° South

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

The Class of ‘92

A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.

Joker: Put on a Happy Face

Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.

My Mom Jayne

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

The Director and the Jedi

An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.

Room 666

During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"

The Walking Dead: The Return

Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.

Fuck

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Halloween: 25 Years of Terror

Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.

One Soldier's Story: The Journey of American Sniper

Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.

Long Shot

When Juan Catalan is arrested for a murder he insists he didn't commit, he builds his case for innocence around unexpected raw footage.

Quartette

Scene from a Trilby-themed stage play. Lost.

Heartbreakers Beach Party

Documentary that captures Tom Petty and the band in 1982-1983 as they finish, promote, and tour around the “Long After Dark” album (their final with legendary producer Jimmy Iovine). It aired only once on MTV in 1983. After the long lost 16mm reels were finally found, a restored version with 19 minutes of extra footage was released in 2024.

Time in the Sun

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

Changing the Flag at Puerto Rico

A staged actuality attributed to the Biograph Company, produced during the Spanish–American War. The film depicts a Jack Tar climbing a mast in Puerto Rico, tearing down the Spanish flag, and replacing it with the American Stars and Stripes. Contemporary accounts note that such scenes brought U.S. audiences to their feet in patriotic fervor, serving as powerful wartime propaganda. The film is generally considered lost, with its existence recorded in writings by Erik Barnouw and other historians of early cinema.

Hitting Hard

The second of six episodes in the "Flying Fists" boxing series sometimes listed as "Hit Hard" starring pugilist Benny Leonard.

A Solax Celebration

The good people of the Solax community realize that they have cause to make merry before the New Year because the Almighty has guided their breadwinning footsteps toward the Solax Studio's happy atmosphere, bank together like the big happy family they are, to give expression to their happiness in the form of a gift to the immediate cause of their good fortune and sunshine.

Wise Guys: The Lost Show

During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.

Marilyn Monroe: The Final Days

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

Brighton Street Scene

Lost film from 1888, directed by William Friese-Greene.

India Speaks

A documentary of explorer Richard Halliburton's travels on the Indian sub-continent, featuring a mix of real and staged footage.

Death Day

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

Show Me a Strong Town and I'll Show You a Strong Bank

Commissioned by the U.S. Treasury Department, the film follows an inspector conducting surprise inspections. Note: As of now, the film is considered lost and no known copies are publicly available.

The Great Universal Mystery

A promotional one-reel film promoting the stars of Universal Pictures.

Beam Me Up, Sulu

In 1985, Star Trek's George Takei joined a group of dedicated fans to make a student film deep in the California forest—only for the footage to mysteriously vanish. Nearly 40 years later, Beam Me Up, Sulu unearths this lost film, revealing not just a piece of fan history but a broader story of representation, resilience, and the ongoing fight for inclusion in media and society.

Sex Stars

Sex star gives an explosive behind the scenes view of the people who make sexual fantasies come true on the silver screen. Sex Stars is the first feature documentary made by Lech Kowalski.

Battle of Santiago Bay

Vitagraph’s Battle of Santiago Bay (1898) blended real Spanish–American War footage with tabletop trickery. Albert E. Smith’s authentic San Juan material looked underwhelming, so he and partner J. Stuart Blackton staged the naval clash on a miniature set: cardboard ships afloat in shallow water, firecracker “explosions,” and clouds of smoke from cigars and cigarettes. Spliced together, the hybrid film was embraced as genuine by audiences and became one of the most popular war films of its day.

Die Durchbruchsschlacht in Galizien

Soft Muscles

Third installment of the "Flying Fists" silent series with boxer Benny Leonard in the lead.

A Football Match at Newcastle-on-Tyne

A Football Match at Newcastle-on-Tyne refers to a one-minute film recorded in October 1896 by English film pioneer Robert William Paul. According to several film and sports historians, it was the first known recording of a football match.

God Is a Woman

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.